In 2010 the vocalist has performed solo in Amérique, a program based on American standards which was accompanied by l’Orchestre de l’Electricité of Strasbourg in Palais des Congrès. Nightingale participated in the famous international festival of Kurt Weill Fest in Dessau and radio Bayerischer Rundfunk introduced the artist on a program dedicated to Jazz. Then she performed alongside with Symphonic orchestra of Strasbourg, sang in International Theatre in Frankfort and participated in a theater master class in Paris. She was invited by l’OHES to Festival l’Humour des Notes at Théâtre de Haguenau the same year. Then she went on tour with her creation, Berlin Paris New York, with Denis Forget, the classic accordion player. The creation is a tribute to Kurt Weill in three languages.
Her production of Round Midnight with l’Ensemble Stanislas was scheduled in 2011 for the Nancy Jazz Pulsation festival. The vocalist improvised on the arrangements of Marc Schaefer for string quartett in this program. CC also created her English album titled Sensual World. Her solo album, Métamorphoses was released by Futura et Marge in Paris in November 2012. The same year the artist graduates as a dance and art therapist in Germany.
The singer performed as resident artist at Château des Lumières in Lunéville in 2012-2014. In January 2013, she created Ingeborg Bachmann Un Portait sonore / Ein Klangportrait with the participation of the Parisian musicians, Alexandra Grimal (sax), Linda Edsjö (perc) et Théo Girard (bas). After the live performance of her electro-acoustic piece, Métamorphoses, at Musée Würth in Erstein in March 2013, the singer is going to meet her audience in her improvised-voice workshops, Circlesongs. This pedagogic method will result in the completion of a project titled, Les Métamorphoses à l’oeuvre which will be followed by a number of concerts
In 2015, she was invited to improvise and create performances with students by different conservatories of music and universities in Germany (Weimar, Dessau and Trossingen) and France (Metz). The artist is also contributing to a research project on enhancing self-healing forces as a dance and music therapist at the Clinic of Epilepsy in Kork.
From 2000 to 2015, Corinne Chatel has created and staged more than 20 pieces in France and Germany with her students from different age groups. She benefited from the Circlesongs teaching method which was developed in 1998 to involve a huge number of chorals and people in artistic creations and share the joy of vocal improvisations. The singer has frequently worked with professional French and German institutions ever since and conducts regular workshops in bilingual schools in order to create performances with children and their teachers.
Corinne Chatel always focuses on the interrelations among movements, voice and emotions to initiate the creative process.
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